Yin-Ju Chen

Taipei, Taiwan

Tiles by Haig Aivazian
Yin-Ju Chen
Extrastellar Evaluations (detail), 2016,
archival photographs from the multimedia installation, dimensions variable.
Installation view at Kadist, San Francisco, 2016.
Courtesy of the artist.
Yin-Ju Chen
Drawing
Yin-Ju Chen
Flower of life, 2017,
Carvão e lápis sobre papel / charcoal and pencil on paper
157.5 x 109 cm, 2017
Courtesy of the artist.

Yin-Ju Chen (Tapei, 1977). Em 2016 foi residente da Kadist Art Fondation, São Francisco e da Rijksakademie van beeldende kunsten em Amsterdão entre 2010-2011. Das exposições individuais destacam-se: “Proregress – Art in an Age of Historical Ambivalence”, 12ª Bienal de Xangai (2018), “Extrastellar Evaluations III: Entropy: 25800”, TKG+ Projects, Taipei (2018), “Extrastellar Evaluations II – A Dialogue Concerning the Two Chief World Systems”, Centre for Chinese Contemporary Art, Manchester (2016), “Yin-Ju Chen: Extrastellar Evaluations”, KADIST, São Francisco (2016), “As Above, so Below: Works by Yin-Ju Chen”, SF Cinematheque e Yerba Buena Center for the Arts, São Francisco (2016), “Action at a Distance - Yin-Ju Chen”, IT PARK, Taipei (2015). Das exposições coletivas destacam-se: “Face Value”, HKW, Berlim (2018), “TRACE: Wayfinding in Contemporary New Media Art”, The Salon of Museum of Contemporary Art, Belgrado (2018), “Occulture: The Dark Arts”, City Gallery Wellington (2017), “The South: an Art of Asking and Listing”, Kaohsiung Museum of Fine Arts, Kaohsiung (2017), “The Man Who Never Threw Anything Away”, Times Museum, Guangzhou (2017), “No Such Thing As Gravity”, The National Taiwan Museum of Fine Arts, Taichung + FACT, Liverpool (2017), Bienal de Liverpool (2016), “The future is already here – it’s just not evenly distributed”, 20ª Bienal de Sidney (2016).

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